-
Typhoon Fung-wong floods Philippine towns, leaves 5 dead in its wake
-
France's Sarkozy says prison a 'nightmare' as prosecutors seek his release
-
Guinness maker Diageo picks new CEO after US tariffs cloud
-
China suspends 'special port fees' on US vessels
-
US senators take major step toward ending record shutdown
-
Typhoon Fung-wong leaves flooded Philippine towns in its wake
-
From Club Med to Beverly Hills: Assinie, the Ivorian Riviera
-
The 'ordinary' Arnie? Glen Powell reboots 'The Running Man'
-
Typhoon exposes centuries-old shipwreck off Vietnam port
-
French court to decide if ex-president Sarkozy can leave jail
-
China lifts sanctions on US units of South Korea ship giant Hanwha
-
Japan death row inmate's sister still fighting, even after release
-
Taylor sparks Colts to Berlin win as Pats streak hits seven
-
Dreyer, Pellegrino lift San Diego to 4-0 MLS Cup playoff win over Portland
-
Indonesia names late dictator Suharto a national hero
-
Fourth New Zealand-West Indies T20 washed out
-
Tanzania Maasai fear VW 'greenwashing' carbon credit scheme
-
Chinese businesswoman faces jail after huge UK crypto seizure
-
Markets boosted by hopes for deal to end US shutdown
-
Amazon poised to host toughest climate talks in years
-
Ex-jihadist Syrian president due at White House for landmark talks
-
Saudi belly dancers break taboos behind closed doors
-
The AI revolution has a power problem
-
Big lips and botox: In Trump's world, fashion and makeup get political
-
NBA champion Thunder rally to down Grizzlies
-
US senators reach deal that could end record shutdown
-
Weakening Typhoon Fung-wong exits Philippines after displacing 1.4 million
-
Lenny Wilkens, Basketball Hall of Famer as player and coach, dies
-
Griffin wins PGA Mexico title for third victory of the year
-
NFL makes successful return to Berlin, 35 years on
-
Lewandowski hat-trick helps Barca punish Real Madrid slip
-
George warns England against being overawed by the All Blacks
-
Lewandowski treble helps Barca beat Celta, cut gap on Real Madrid
-
Neves late show sends PSG top of Ligue 1, Strasbourg down Lille
-
Inter go top of Serie A after Napoli slip-up
-
Bezos's Blue Origin postpones rocket launch over weather
-
Hamilton upbeat despite 'nightmare' at Ferrari
-
Taylor sparks Colts to Berlin win, Pats win streak hits seven
-
Alcaraz and Zverev make winning starts at ATP Finals
-
Protests suspend opening of Nigeria heritage museum
-
Undav brace sends Stuttgart fourth, Frankfurt win late in Bundesliga
-
Roma capitalise on Napoli slip-up to claim Serie A lead
-
Liverpool up for the fight despite Man City masterclass, says Van Dijk
-
Two MLB pitchers indicted on manipulating bets on pitches
-
Wales rugby captain Morgan set to be sidelined by shoulder injury
-
After storming Sao Paulo podium, 'proud' Verstappen aims to keep fighting
-
US flights could 'slow to a trickle' as shutdown bites: transport secretary
-
Celtic close on stumbling Scottish leaders Hearts
-
BBC chief resigns after row over Trump documentary
-
Norris extends title lead in Sao Paulo, Verstappen third from pit-lane
'Dear Jinri' bears witness to late K-pop singer's truth
A new documentary featuring a late K-pop star's final interview unveils complex truths about South Korea's notoriously brutal music industry while highlighting her defiance of pressure to conform to societal norms.
"Dear Jinri", which premiered at the Busan International Film Festival, revolves around singing star Sulli's last Netflix project, an unfinished film that included an in-depth interview.
Born Choi Jin-ri, Sulli took her own life in 2019 at age 25, after a long struggle with online bullying. The interview in the film -- raw, powerful and heartbreaking -- has never been previously seen.
What Sulli shares in that conversation raises "many critical issues in our society," director Jung Yoon-suk said after the film's BIFF screening Saturday evening.
"These can be seen as issues related to women, or they could be problems concerning the vulnerable in our society, or related to matters of equality," he said.
Sulli, who began her career as a child actress at age 11, made her debut in 2009 for f(x), which quickly became one of K-pop's top girl groups.
Known for behaviour considered controversial in South Korea -- including refusing to wear a bra in public -- she faced relentless online bullying and was frequently targeted by sexually abusive comments.
The film also explores the singer's lonely childhood and battles with self-perception as a woman in a world that can be intensely focused on appearance.
"Since you are born as a pretty woman, you don't have to know anything," Sulli says she was told.
But, she adds: "It's obnoxious to say your life was hard because you are a pretty woman."
The well-documented pressures of the K-pop world are also spotlighted, with Sulli explaining how she was told her goal was to be "the highest quality product".
She likens her experience to that of the protagonist in Luc Besson's 1990 "La Femme Nikita", who undergoes rigorous and vicious training to become a programmed assassin, completely cut off from the outside world.
It seemed as if people "couldn't recognise that we were human beings", Sulli says in the film.
The interview is punctuated by frequent pauses as the camera lingers silently on its subject, the pain and sorrow palpable on her face.
Audible sobs from the audience could be heard throughout the screening.
- A self-aware artist -
Suicide is the leading cause of death among South Koreans aged 10 to 39 and occurs at an unusually high rate, official figures show.
Several other young K-pop stars have died of suspected suicide in recent years, including Goo Hara, Jonghyun and Moonbin. The incidents have prompted calls for increased mental health support for young people in the industry.
Sulli's response to director Jung's question about the online bullying she endured -- specifically, her decision to grant legal forgiveness to one of the perpetrators -- is arguably one of the most poignant and revealing scenes in the movie.
She also candidly discusses feminism -- a topic still controversial in socially conservative South Korea -- saying she "rooted for women who spoke out", even when their views did not align with hers.
In the end, the film paints a portrait of a contemplative, resilient figure who, in the ways she could, resisted the pressure to conform, striving instead to forge her own understanding of the world and her place in it.
The film takes its title from Sulli's legal name, Jin-ri, which means truth in Korean.
"It was incredibly important to view this person not just as a celebrity or an idol, but as someone who possesses self-awareness as an artist," Jung said.
"It seemed like the movie would be meaningful as the truth itself, just as (her) name implies."
W.AbuLaban--SF-PST