-
From 'Derry Girls' to 'heaven', Irish writer airs new comedy
-
Asia markets mixed as stong US jobs data temper rate expectations
-
Shanaka fireworks as Sri Lanka pile up 225-5 against Oman
-
Samsung starts mass production of next-gen AI memory chip
-
Benin's lovers less row-mantic as apps replace waterway rendezvous
-
Geneva opera house selling off thousands of extravagant costumes
-
Non-alcoholic wine: a booming business searching for quality
-
Greece's Cycladic islands swept up in concrete fever
-
Grieving Canada town holds vigil for school shooting victims
-
Israel president says at end of visit antisemitism in Australia 'frightening'
-
Cunningham on target as depleted Pistons down Raptors
-
Canada probes mass shooter's past interactions with police, health system
-
Dutch speed skater Jutta Leerdam combines Olympic gold and influencer attitude
-
Scotland coach Townsend under pressure as England await
-
Canadian ice dancers put 'dark times' behind with Olympic medal
-
'Exhausting' off-field issues hang over Wales before France clash
-
Crusaders target another title as Super Rugby aims to speed up
-
Chinese Olympic snowboarder avoids serious injury after nasty crash
-
China carbon emissions 'flat or falling' in 2025: analysis
-
'China shock': Germany struggles as key market turns business rival
-
French ice dancer Cizeron's 'quest for perfection' reaps second Olympic gold
-
Most Asia markets rise as traders welcome US jobs
-
EU leaders push to rescue European economy challenged by China, US
-
Plenty of peaks, but skiing yet to take off in Central Asia
-
UN aid relief a potential opening for Trump-Kim talks, say analysts
-
Berlin Film Festival to open with a rallying cry 'to defend artistic freedom'
-
Taiwan leader wants greater defence cooperation with Europe: AFP interview
-
Taiwan leader warns countries in region 'next' in case of China attack: AFP interview
-
World Cup ticket prices skyrocket on FIFA re-sale site
-
'No one to back us': Arab bus drivers in Israel grapple with racist attacks
-
Venezuelan AG wants amnesty for toppled leader Maduro
-
Scrutiny over US claim that Mexican drone invasion prompted airport closure
-
Trump to undo legal basis for US climate rules
-
Protesters, police clash at protest over Milei labor reform
-
Dyche sacked by Forest after dismal Wolves draw
-
France seeks probe after diplomat cited in Epstein files
-
Rivers among 2026 finalists for Basketball Hall of Fame
-
Israel president says antisemitism in Australia 'frightening'
-
Trump orders Pentagon to buy coal-fired electricity
-
Slot hails 'unbelievable' Salah after matching Liverpool assist record
-
Von Allmen joins Olympic ski greats, French couple win remarkable ice dance
-
Guardiola eyes rest for 'exhausted' City stars
-
US pushes for 'dramatic increase' in Venezuela oil output
-
France's Cizeron and Fournier Beaudry snatch Olympic ice dancing gold
-
Man City close on Arsenal, Liverpool end Sunderland's unbeaten home run
-
Van Dijk sinks Sunderland to boost Liverpool's bid for Champions League
-
Messi out with hamstring strain as Puerto Rico match delayed
-
Kane helps Bayern past Leipzig into German Cup semis
-
Matarazzo's Real Sociedad beat Athletic in Copa semi first leg
-
Arsenal stroll in Women's Champions League play-offs
Young Brit talent teaches Cannes 'How to Have Sex'
Alcohol by the bucket-load, rammed pool parties, cheesy chips and loads of sex -- all the stereotypes of Brits abroad are in Molly Manning Walker's feature debut causing a storm at Cannes this year, but she wants to break them all by exploring thorny issues of rape and consent.
"How to Have Sex" follows three best friends getting plastered in Crete, with one of the girls, Tara, on a mission to lose her virginity -- but things soon go wrong.
Shot in a fly-on-the-wall style, Manning Walker resists showing graphic assault scenes.
"I think we as women know that experience way too much -- we don't need to be re-traumatised," the 29-year-old Londoner told AFP at Cannes.
Instead, she focused on her characters' emotional experiences.
"Everything was from her eyeline and everything was on her face and reading her emotion," she said.
Her film has been one of revelations from one of the festival's sidebar events, the Directors' Fortnight.
Variety found it "chillingly dark", The Guardian admired its "complex chemistry" and The Hollywood Reporter dubbed it a "hidden gem".
- Shifting the gaze -
Manning Walker is one of an emerging crop of exciting British woman directors alongside the likes of Charlotte Wells whose "Aftersun" was last year's unexpected breakout at Cannes, earning an Oscar nomination for star Paul Mescal.
Drawing from her own experience, Manning Walker was inspired by "the best times of my life", but also the sexual assault she suffered at 16 -- and wanted to show it all without judgement.
"It's like living it through their lives at their eye level and trying not to say 'Oh what is she wearing? Or why is she too drunk?'" she said.
"We should be free to drink and wear whatever we want and still not get assaulted."
Raising the subject of sexual assault "sort of sucks the air out of the room and I think we need to open that conversation up," she added.
"For me consent isn't black and white, it's not yes and no... if someone is having a bad time you should be able to recognise that."
- One of the boys -
Manning Walker was previously cinematographer for other young British talent, including Charlotte Regan's "Scrapper" that won the Grand Jury Prize at the Sundance film festival this year.
She has also made music videos and adverts, as well as two short films including "Good Thanks, You?" that screened at Cannes in 2020.
"I put up with a lot as a cinematographer and I think that's a real man's world... you are the head of so many burly male departments," she said.
"I have been really lucky in my career to work with a lot of nice men in that situation but I have also worked with a lot of arseholes."
She regrets having to play at being one of the lads to earn respect.
"You have to come in and be like 'The football last night'. There's just a conversation that you have to present in a certain way in order to be accepted in that world," she said.
"That is a barrier we have to look at."
Y.Zaher--SF-PST