-
Ed Sheeran returns to stage after Palestinian controversy
-
Protesters form human chain at Kennedy Center after Trump threat
-
Asian Games to open in Japan after troubled build-up
-
Death toll from attack at police HQ in Pakistan rises to 31
-
Drone owners rush to offload devices ahead of Beijing ban
-
Trump says Denmark to give US 'permanent control' over Greenland security
-
Trump's beef policies irk Texas ranchers, testing their loyalty
-
Kennedy Center: future unclear for iconic Washington arts hub
-
Nvidia, OpenAI CEOs to attend Xi dinner at White House
-
Trump claims 'infinite' Greenland security deal with Denmark
-
Anthropic picks Accenture for in-house AI safety evaluation
-
Helicopters battle wildfire threatening Ecuador's capital
-
Balogun returns as Monaco beat Lens to continue strong Ligue 1 start
-
Brentford batter Chelsea to undo Alonso's promising start
-
'Pause' on overt repression in Venezuela, but reforms still needed: HRW
-
Kane hits Bundesliga century as Bayern rout Union
-
Global stocks mixed as yen falls despite Bank of Japan rate hike
-
Trump says CNN, MS NOW, Politico banned from White House
-
Cuba hit with seventh major blackout of the year
-
Hushing and hedging: US companies retreat on climate
-
Murray out with concussion so Wentz will start for Vikings
-
Springboks to face Fiji before 2027 Rugby World Cup
-
UN chief 'deeply regrets' US visa refusal to Abbas for annual meeting
-
Nigeria miners struggled to breathe in cell before 37 died: survivors
-
England quick Carse to face no charges over alleged nightclub assault
-
McIlroy on the charge at PGA Championship as Reed withdraws
-
Mancini brings nine newcomers into the first squad of his Italy comeback
-
McIlroy on the charge at PGA Championship
-
Czechs level Davis Cup tie against USA as South Korea eye Finals
-
Crisis-wracked Volkswagen warns of 10-bn-euro hit to profits
-
New France boss Zidane confirms Mbappe as captain after naming first squad
-
Costa Rica's Grynspan tops third informal poll for UN chief: diplomat
-
California governor signs order to explore AI 'kill switch'
-
Stock markets retreat after central bank rate hikes
-
Head leads run spree as Australia win Zimbabwe ODI series
-
Russia labels director of Cannes Grand Prix winner a 'foreign agent'
-
In-form Raphinha wants to finish career at Barcelona
-
Macron warns of Russian 'hybrid' threat after meeting presidential hopefuls
-
Warren Buffett steps down as Berkshire Hathaway chairman
-
UN holds third informal poll for new chief
-
Carrick confident Man Utd can 'work through' tough time
-
Kulusevski return can spark Spurs: De Zerbi
-
Mbappe ends Nike partnership to join Swiss brand On
-
Shakira to cap off world tour with Madrid 12-gig run
-
Liverpool boss Iraola puts Bournemouth love affair on hold
-
Isolated Syrian-Druze city blames Damascus for shortages
-
'A disaster' if Man City do not win says Maresca after flawless start
-
Isolated Syrian-Druze city shortages
-
Kerry James Marshall: American 'blackness' painter celebrated in Europe
-
Dutch drop Depay for Germany match in Xavi's first pick
Pioneering Cuban movie maintains its relevance 30 years later
It has been three decades since the seminal film "Strawberry and Chocolate" generated both ovations and tears, marking a before and an after in Cuban cinema.
The film was cathartic in a country that only barely had come to recognize the rights of homosexuals.
But the actor who was the protagonist, Jorge Perugorria, says Cuba has moved backward in terms of the freedom of expression also invoked by the movie.
The International Festival of New Latin American Cinema, which opens Friday in Havana, will pay two tributes to the film, known in Spanish as "Fresa y Chocolate," which received a standing ovation at its premiere in 1993.
Perugorria, 58, talked to AFP about the film along with the rest of its cast in an emotional reunion at La Guarida restaurant, a mansion in central Havana that in the early years of the revolution was subdivided into apartments and served as setting for the movie.
On the terrace of the mansion, Perugorria, recalls the "collective catharsis" that the film provoked.
"It was as if the public had the need to see that film... because it dealt perhaps with what many had in their heads... frustrations" and issues buried and out of reach of the public, he recalls.
At the time, following the collapse of the Soviet Union, a severe economic crisis -- called the "special period" -- pummeled the island, and an obscure policy that marginalized homosexuals and dissidents was only beginning to be reevaluated.
In the film, Diego, a refined gay art lover, befriends David, a staunch defender of the ruling Communist Party, in an environment of censorship and homophobia.
- 'Impossible metaphor' -
"That final embrace," between Diego and David at the end of the film, "is a song, a reconciliation between Cubans," but "it is farther away today than it was 30 years ago," says Perugorria, who plays Diego.
"The differences between Cubans have widened," and the embrace "has become an almost impossible metaphor," he adds.
For Vladimir Cruz, 58, who played the role of David, the film identified both the repressed and the repressors.
"We had experiences of people who came out of the cinema and said: 'I have acted like this, I have been intolerant, I have repressed homosexuals,'" Cruz recalls among photos and sculptures preserved from the set.
The story shows how "the right to participate in society was taken away from those who thought differently. And in that sense, I think Cuban society... has progressed, but at the official level we have gone downhill," Cruz says.
He celebrates the legalization of equal marriage in 2022.
"But anyone who thinks differently, (even) one millimeter, with respect to the predominant ideology or the official ideology, continues to suffer the same problems that Diego had and that led him to migrate," Cruz says.
Nearly 500,000 Cubans, or almost 5 percent of the population, left the island left the island since 2021 in an unprecedented wave, according to US immigration figures.
Perugorria agrees: "Today, just as the exhibition of German (another character in the film) was censored 30 years ago, films and exhibitions are still censored."
Cuba needs "a cultural policy that is for everyone in our diversity, our complexity, not just for a group that thinks one way," says Perugorria.
- 'Cornered and harassed' -
"'Strawberry and Chocolate' advocates for that" and is still "current," Perugorria maintains, citing the case of the more than 300 young people who staged an unprecedented protest for freedom of expression in November 2020.
A good part of them emigrated.
"It's sad to think that there are people who don't just leave, but are thrown out, because they are cornered and harassed," he says.
Behind the cameras, another fraternal story was built between Tomas Gutierrez Alea (1928-1996) and Juan Carlos Tabio (1943-2021), codirectors of the film.
Seriously ill, Gutierrez Alea underwent surgery during filming, but returned to the set four days later. The actors say that he would slowly climb the wide stairs of the mansion to direct in the mornings, then Tabio would follow his friend's recommendations in detail on the set.
"That story of friendship between these two great artists and their love for cinema also had a lot of weight in the film," says Perugorria.
M.AlAhmad--SF-PST