-
Oil prices surge on US-Iran attacks
-
‘Almost like gold’: water debate rages on Italy’s Aeolian Islands
-
Christopher Nolan returns with "The Odyssey" blockbuster
-
De Beers to pause work at S.Africa's largest diamond mine
-
Only 'superstars' win Tour de France stages: French champ
-
Thailand probes Bangkok bar fire that killed 27
-
Young fly-half Moyo to debut for Springboks against Wales
-
Middle East rocked by heaviest attacks since Iran-US ceasefire
-
MSF slams 'deliberate' Russian destruction of Ukraine's health system
-
EU, UK hit Russia with joint sanctions over cyber attacks
-
Kenya's goons: a world of political violence and desperation
-
EU to limit children's access to social media -- gradually
-
Zverev second in ATP rankings behind Sinner after Wimbledon
-
Mongolia's child jockeys ready to race in annual festival
-
Noskova moves into WTA Top 10 after Wimbledon triumph
-
Thailand probes Bangkok bar fire that killed 27, injured dozens
-
Planes fight fire in Fontainebleau forest near Paris
-
Oil prices spike on fresh US-Iran attacks, tech hammers on stocks again
-
'Jurassic Park' star Sam Neill dies aged 78
-
Mulling ban, EU gets expert verdict on social media for children
-
US hits Iran as Gulf states targeted in flareup over Hormuz
-
Huge fire in Bangkok bar kills at least 27
-
Oil prices spike on fresh US-Iran attacks, tech weighs on stocks again
-
'Indispensable' Xiaohongshu app fuels Chinese tourism
-
Spaniard's rare skin disorder ups danger of summer heat
-
NFL seeks to break into Africa with Kenya competition
-
Protected but deported anyway, as Trump goes after 'dreamers'
-
Yamal aims to steal Mbappe's World Cup thunder in semi-final showdown
-
Dodgers face Ohtani knee issues in MLB three-peat bid
-
Fisk outlasts Pendrith in playoff to win PGA Tour Louisville title
-
Warriors forward Green details LeBron recruiting pitch
-
US strikes Iran as Gulf states targeted in flareup over Hormuz
-
Massive fire in Bangkok bar kills at least 27
-
'Final before final': France face Spain in World Cup blockbuster
-
Zverev vows to chase down Wimbledon champion Sinner in trophy charge
-
England's Ecclestone glad to get 'one-up' on brother with five-wicket Lord's haul
-
Five classic France v Spain clashes before World Cup semi-final
-
Major fire rages in Fontainebleau forest near Paris
-
World Cup gets set for pair of blockbuster semi-finals
-
Sinner enjoying 'very rare' Wimbledon triumph
-
Venezuela quake death toll rises to 4,490
-
England open door to Flower return after McCullum axed as Test coach
-
McGregor says knee fine before first-kick injury, vows return
-
South Korea's Tom Kim wins Scottish Open to end three-year title drought
-
Hundred heroine Bhatia says its's 'unbelievable' to be on Lord's honours board
-
'It's amazing': Sinner revels in Wimbledon glory after Zverev battle
-
Irrepressible Sinner outlasts Zverev to win second straight Wimbledon title
-
Fresh attacks hit Iran, Kuwait as Tehran and US square off over Hormuz
-
Ryu defeats Henderson in play-off to win back-to-back majors in Evian
-
Argentina football great Rattin dies at 89
British Museum showcases ancient vessels smashed in Beirut blast
Eight ancient glass vessels shattered in the 2020 Beirut explosion go on display at the British Museum from Thursday, walking visitors through the painstaking international project to piece them back together.
The vessels, from the Roman, Byzantine and Islamic periods, were reconstructed at the world-famous museum's conservation laboratories, and will be shown as part of its "Shattered Glass of Beirut" showcase, before returning to Lebanon later this year.
"(It) tells a story of near destruction and recovery, of resilience and collaboration," said Hartwig Fischer, Director of the British Museum.
The vessels were among 74 contained within a case at the American University in Beirut (AUB).
The case fell over when the shockwave of the port blast, which occurred three kilometres (two miles) away on August 4, 2020, hit the building, smashing the glass objects inside.
A team of experts had the daunting task of sorting every shard of glass, deciding if it was part of an ancient vessel, rather than display case, and which vessel it belonged to, Duygu Camurcuoglu, a senior conservator at the British Museum, told AFP.
"It's all pretty much done by hand or by eye -- brainwork basically. You have to know certain techniques to be able to carry out this work," she added.
Once the pieces had been sorted, the conservators began the mammoth jigsaw-puzzle exercise of reassembling the vessels.
"It's a case of using an adhesive to reconstruct the vessels," said Camurcuoglu. But they could not just use anything.
"We don't use superglue, we don't use UHU," she joked.
- 'Scars' -
The most challenging vessels were the "large dish and the Byzantine pitcher," Camurcuoglu recalled.
Eighteen of the vessels have so far been conserved as part of an emergency recovery campaign in Beirut, along with the eight vessels at the British Museum and two that emerged unscathed from the fall.
Experts hope that at least half of the remaining 46 objects in Beirut can be conserved soon too.
The collaborative project between the British Museum and the AUB's Archaeological Museum began in 2021, following an offer of help from the London institution.
Conservators agreed early on to make the vessels structurally sound but leave imperfections caused by the shattering visible, bearing witness to the explosion.
The exhibition will take visitors on the journey undergone by the glass vessels, from the moment of the blast to their display in the famous London museum.
Lighting will be used in the display to illuminate cracks and gaps in the glass.
"We really wanted to highlight the damage these objects went through, so we can all look at the scars, and remember how they were revived together," said Camurcuoglu.
The vessels are considered important in telling the story of the development of revolutionary glass-blowing techniques in Lebanon in the 1st century BC, enabling the mass production of glass objects and making them available for common use.
Their restoration, and the teamwork involved, is a source of pride to the conservators, said Camurcuoglu.
"We all individually felt that, I think, we contributed to something by working on these objects -- by sharing this pain, these emotions.
"So it's not only about the conservation... but also the working together and achieving something together," she added.
U.AlSharif--SF-PST