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Brennan keeps his cool in Japan for third PGA Tour victory
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Brazil's Lula accuses Meta of election interference
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Bezzecchi wins in Indonesia as Martin retakes MotoGP championship lead
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South Korea completes trial of Arctic shipping route
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US Open finalist Shelton dumped out in Shanghai third round
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アレックス・ボディ、CRIFとともに透明性の高い投資と徹底した資金洗浄防止に注力
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India releases 'cockroach' leaders as movement calls for more protests
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Brennan holds off Schauffele for PGA Tour win in Japan
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Ο ALEX BODI δίνει έμφαση, σε συνεργασία με την CRIF, στις διαφανείς επενδύσεις και στη συστηματική πρόληψη της νομιμοποίησης εσόδων από παράνομες δραστηριότητες
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ALEX BODI satsar tillsammans med CRIF på transparenta investeringar och ett konsekvent arbete mot penningtvätt
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ALEX BODI sází ve spolupráci s CRIF na transparentní investice a důslednou prevenci praní špinavých peněz
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ALEX BODI stawia wraz z CRIF na przejrzyste inwestycje i konsekwentne przeciwdziałanie praniu pieniędzy
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एलेक्स बोदी क्रिफ के सहयोग से पारदर्शी निवेश और धनशोधन की कड़ाई से रोकथाम पर ज़ोर देते हैं
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알렉스 보디, CRIF와 함께 투명한 투자와 철저한 자금세탁방지에 주력
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ALEX BODI 攜手 CRIF,推動透明投資並貫徹洗錢防制
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ALEX BODI turns to CRIF for transparent investment and rigorous money laundering prevention
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Indian court releases 'cockroach' movement leaders from detention
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The 'cockroach' protests against India's election body
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Indonesia releases eight orangutans rescued from fires to protected forest
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Power, water, jobs: Google on India data centre concerns
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Russian Yandex data centre operations disrupted after drone strike
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Google faces backlash against India data centre
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Architect fights to save India's past, built on 'stone, tears and sweat'
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Trump urges Zelensky replacement as diesel row rages
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Hurricane Simon strengthens as it nears western Mexico
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New Yorkers snap up discarded subway signs, seats at annual sale
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'Everyone is angry': Okinawans fearful and frustrated after killing
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Messi nets brace to win in first match after Argentina exit
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Trump's trade wars sting US manufacturers ahead of midterms
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Ravindra fit for New Zealand ODI series against India
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Kenyan great Kipchoge wins first marathon in three years
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All Blacks lose four players for second Wallabies Test
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Barca extend perfect streak, Real Madrid survive Vinicius red
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Spanish women return to action with 2-0 friendly win over USA
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PSG ease to Ligue 1 win before Manchester City test
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Bordeaux-Begles end wait for away win before Champions Cup defence
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Real Madrid edge Villarreal, Vinicius sent off for hair pull
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Traumatized Panamanians begin quake recovery
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Carrick demands more 'streetwise' Man Utd after Spurs setback
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Palestinian Mahmoud Abu Hamda wins top photography prize at Bayeux
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10-man Tottenham ramp up pressure on Man Utd boss Carrick
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Inter Milan dominate Parma to go top of Serie A
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India 'cockroach' movement says thousands detained in Delhi protest
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Barca extend perfect streak, Atletico scrape late win
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Injury ends season for NHL Rangers star goalie Shesterkin
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10-man Tottenham strike back to hold Man Utd
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Ten-man Spurs rescue draw at Man Utd, Arsenal survive Leeds scare
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Gordon nets first Barca goal as Liga leaders beat Getafe
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Inter Milan dominate Parma to go top in Serie A
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Trump, Zelensky clash over diesel deal as Russian strikes kill 21
London Fashion Week blends tweed and Y2K amid economic gloom
From tweed to the iconic low-rise jeans of the early 2000s, London Fashion Week unveiled a spectrum of styles on Friday, kicking off its 40th season which has been dimmed by the UK's gloomy economy.
Some 60 designers, ranging from rising talents to renowned brands like Burberry, will show their new designs over five days, hoping to draw the interest of buyers and fashion influencers.
Irish-American designer Paul Costelloe's show, titled "Once upon a Time" -- a reference to the iconic 1984 film "Once Upon a Time in America" -- showcased wide-belted coats in ecru, anthracite and checkered tweed.
Costelloe, 78, who is bedridden with a virus, was absent from the event.
- Gen Z favourite -
In another early show, Ukrainian Masha Popova, a "Gen Z" favourite, presented a collection inspired by early 2000s so-called Y2K era.
Performed against a backdrop of techno music and in front of a crowd of influencers, it featured models in low-waisted pants, washed out denim -- and heels topped with long gaiters.
Elsewhere, Turkish designer Bora Aksu delivered a gloomier mood, aimed at finding and celebrating "the purest beauty amidst the most vivid of horrors".
Slender models wearing bodices paired with wide sleeves, lace gowns, flowing skirts, blouses and masculine jackets paraded to slow-beating music, with cream, grey, black and dark blue the predominant colours.
The designer, who was inspired by the work of sculptor Eva Hesse who fled Nazi-Germany as a child in 1938, used tones of pink and blush to retain a light, feminine energy, while making use of old stock and rejected rolls for his garments.
British designer Edward Crutchley presented the masculine figure of the cowboy, adorned with a hat and wide coats, subverted by the addition of latex pieces, maxi shoulders, delicate medieval-inspired prints, and long wavy hair on both men and women.
- Tumultuous time -
Despite the audience's excitement, the showcase comes at a tumultuous time for Britain's fashion industry, amid post-Brexit trade barriers and the country's inflation-fuelled cost-of-living crisis.
The situation has prompted some nascent designers to question the viability of investing in British fashion events.
Rising star Dilara Findikoglu made headlines last September after she cancelled her show days before the event for financial reasons.
The industry, which employs close to 900,000 people in the UK and contributes £21 billion ($26 billion) to the British economy, is facing "incredibly challenging times," LFW's director Caroline Rush told AFP.
But what can be garnered from 40 years, she said, "is that in the most economically challenging times, you see the most incredible creativity".
"There's almost this visceral reaction to what's happening at home," Rush added.
"I'm hoping that the creativity that we see over the next few days will be incredibly uplifting, that it will talk about the role of culture and creativity in society."
The first edition of British Fashion Week was held in 1984 in a tent set up in the parking lot of the former Commonwealth Institute in West London.
Initially overlooked, the British capital earned its rebellious reputation thanks to legends like Vivienne Westwood and John Galliano, who put the city on the fashion map, and then with the "Cool Britannia" era in the 1990s, a cultural euphoria period when Stella McCartney or Matthew Williamson dressed supermodels Kate Moss and Naomi Campbell.
Since then, London has lost some of its allure, with the departure of star designers and houses preferring Paris, such as Alexander McQueen or Victoria Beckham.
However, the BFC's NEWGEN sponsorship program, which supports young designers, has affirmed London's position as a talent incubator.
And while it remains less prestigious than Paris or Milan, London Fashion Week is celebrated for being freer, more radical, and less formulaic.
This anniversary edition also aims to highlight greater diversity and inclusivity, in terms of body shapes, ages, or skin colours of the models, as well as in the designers' collections, with identities or inspirations from the Caribbean, Iran, India, or Ethiopia.
The weekend will feature more familiar names like JW Anderson, Richard Quinn, Ahluwalia, and Simone Rocha, before Burberry's show scheduled for Monday evening.
N.Shalabi--SF-PST