-
Magaia salvages last-gasp WAFCON draw for South Africa
-
Ryu leads in bid for third straight major at women's British Open
-
Forever chemicals and pesticides under Trump: what to know
-
Fire-hit France region 'coming up for air' as main blaze calms
-
US announces steep water cuts for three states amid Colorado River crisis
-
Wembanyama to get signature shoe in Nike contract extension: reports
-
EU grapples with migrant crisis in Spain's N. Africa enclave
-
Oil giants report blowout profits on war, warn high gas prices could persist
-
Hungary to shut nuclear plant as heatwave hits central Europe
-
Google launches new satellite image AI tool, alarming researchers
-
Strengthening El Nino 'adding fuel to a planet already on fire': UN chief
-
Eddie Howe resigns as Newcastle boss to 'recharge'
-
Tech-fuelled rally fizzles as oil prices rise
-
High winds hamper firefighting efforts in western Turkey
-
Chelsea's Mudryk cleared to play after doping ban appeal
-
Howe resigns as Newcastle boss
-
A side of oysters for France's flat-out firefighters
-
Full-scale tour will benefit All Blacks, says coach Rennie
-
England cricket chief Key refuses to rule out Stokes return
-
US Fed dissenters call for rate hikes over sustained inflation
-
New blazes in Greece as strong winds hamper firefighting
-
Trump and far-right seize on Spanish migration crisis
-
Springboks star Feinberg-Mngomezulu back for Argentina Test
-
Hamas agrees to disarm under Trump plan
-
Shops closed, businesses quiet as Spain's Ceuta faces migrant surge
-
French, Italian winegrowers face earliest ever harvest
-
Chelsea fined £10mn, handed suspended transfer ban for breaching agent rules
-
Alarm over climate-linked low level of German waterways
-
Residents defend Spain’s ancient 'El Abuelo' tree from flames
-
UK court rejects challenge against new Chinese embassy in London
-
Forever chemicals and pesticides: what to know
-
New York sues online prediction markets giant Kalshi
-
Spaniard Santi Denia takes over as Czech Republic coach
-
Commerzbank agrees to talks with UniCredit after two-year standoff
-
EU races to contain new migrant crisis as thousands cross into Spain's N. Africa enclave
-
A rumour, a rush: chaos at Morocco border with Spain's Ceuta
-
Profits surge at US oil giant amid Iran war supply shock
-
Fornaro Legal Releases Guidance to Help Businesses Maintain Clear Ownership Records During Growth
-
Bodies of four climbers found near Pakistan avalanche site: police
-
Hamas agrees to disarm: what are the challenges ahead?
-
UK court dismisses challenge against new Chinese embassy in London
-
Turkey fights to last major blaze inland from Bodrum
-
Stock markets rally on tech rebound
-
Japan probe made closest-ever asteroid flyby: space agency
-
Tyla drops Lagos show as South Africa, Nigeria row over immigration
-
Wildberries: 'Russia's Amazon' targeted by Ukraine
-
BP seeks to sell North Sea business as UK faces drilling dilemma
-
FIFA plan hit by senior advisor resigning, AFC opposition
-
Pro-Kremlin commentator denounces 'censorship' in France
-
Kosovo war crimes trial opens against fugitive Serbs
Kenyan sculptor Ong'esa on a mission to elevate African art
Kenya's most lauded sculptor, Elkana Ong'esa, has seen his gigantic stone creations displayed across the globe, but feels African art still deserves greater recognition at home and abroad.
"African art has influenced Western art heavily," the 79-year-old sculptor said, pointing to Pablo Picasso's early 20th-century masterpieces, such as Les Demoiselles d'Avignon, that drew inspiration from the continent.
Despite this, "African art has been left behind," he told AFP in an interview at his home in Tabaka in western Kenya's hilly Kisii county.
His work -- much of it inspired by nature -- has been showcased at the UNESCO headquarters in Paris, the United Nations in New York and respected galleries in cosmopolitan capitals.
But it still has not attracted the "very high" prices assigned to artworks produced in the West, he said, with neither African nor foreign collectors willing to shell out for pieces from the continent.
And that's not the only obstacle.
"The Kenyan government does not give enough support to artists," he said, recalling a 2014 fiasco that prevented his work from taking centre stage at the Smithsonian Folklore Festival in Washington.
Ong'esa had carved a monumental granite sculpture for the prestigious event, and was offered 1.2 billion Kenyan shillings (then equivalent to $13.8 million) by an interested buyer.
But Kenyan authorities, who insisted on handling transport requirements for the 13-tonne elephant -- refusing foreign offers of help -- eventually said it was too heavy to be airlifted.
Media reports said officials had demanded kickbacks in exchange for transporting the piece.
Ong'esa would not comment on the specific allegations, saying only that "some people in the Kenyan government, who were supposed to help, turned against the concept."
If the sale had gone ahead, it would have entered the record books and "Kenyan art would be in a different league", he added.
- 'Turning point' -
Born into a family of craftsmen, he started making clay toys for himself as a toddler before learning to carve little animals out of waste stone shards.
His talent took him to Makerere University in neighbouring Uganda and onward to Canada's McGill University for graduate studies.
He discovered artists whose work would influence his own, from the stone carvings produced by Inuit sculptors to the use of negative space by British icon Henry Moore.
"Their work was more (about) artistic expression than craft," he said. "It was a very important turning point for me."
Even so, there is no mistaking the African imprint on his creations.
Kisii stone, his favoured medium, is found only in western Kenya, unlike soapstone, a widely available rock it is often confused with.
Furthermore, his work often features symbols from African myths and songs.
The giant granite sculpture gracing the UNESCO headquarters in Paris, "Enyamuchera" ("Bird of Peace" in the Kisii language), has its origins in the fiscal shrike, a black and white bird native to Sub-Saharan Africa.
The bird can be a harbinger of good luck or misfortune depending on the angle from which it is seen.
"That sculpture says something about me as a person," he said. "It shows what is in me as an artist, as a Kisii."
- 'Hoping and praying' -
It also reflects his insistence on creating art that resonates at home, not only in global capitals.
His sculptures are displayed along Kisii's streets, in his garden where he teaches stone carving to young artists and children, and in the museum he has built to host workshops and showcase African art.
His impact on the community was evident at his birthday party last month, with former students and artists paying tribute to their visibly moved mentor as his family cheered.
After ill health forced him to stop working for seven years, the grandfather of five is slowly picking up his tools again.
"I have a desire to do my art," he said.
He has already begun carving smaller sculptures because he is no longer able to stand for the long periods of time needed to make larger pieces.
"I am hoping and praying that my body will improve," he said.
"When you cut a stone and see the inside, it is so beautiful, it is so exciting."
J.AbuHassan--SF-PST