-
Fitzpatrick brothers capture PGA Tour's Zurich Classic pairs crown
-
Spurs win in Wembanyama return to take 3-1 lead on Trail Blazers
-
Toulouse fall to first home defeat for a year
-
Global military spending surges on insecurity: report
-
Marseille see Champions League chance slip further away
-
Nelly Korda wins LPGA Chevron Championship
-
Syrian court begins proceedings against Assad and allies
-
Inter's Serie A title charge hits bump in road, Milan and Juve in stalemate
-
Colombia road bombing death toll rises to 20
-
Raptors top Cavs to pull level in NBA playoff series
-
Iran minister heads to Russia as talks remain stalled
-
Rinku stars as Kolkata edge Lucknow in Super Over
-
T'Wolves Edwards to miss several weeks - report
-
Michael Jackson biopic debuts atop N. America box office
-
King Charles state visit to US to go on as planned after shooting
-
Inter pegged back by Torino as Serie A title charge hits bump in road
-
Mali junta in crisis after minister killed, key city 'captured'
-
Dortmund down Freiburg to seal Champions League spot
-
McFarlane hails Chelsea 'character' after FA Cup semi-final win
-
Gunman sought to kill Trump, cabinet at gala dinner
-
Arsenal punish Lyon errors in Champions League semi
-
Suspect in US press gala shooting - what we know
-
Key US senator lifts block on Fed chair nominee
-
Attacks in Mali: What we know
-
Vollering wins women's Lige-Bastogne-Liege for 3rd time
-
Sinner motors on in Madrid as Gauff overcomes stomach bug
-
Fernandez sends Chelsea into FA Cup final to lift gloom after Rosenior sacking
-
Colombia road bombing death toll rises to 19
-
Stuttgart stumble against Bremen in top-four race
-
Two former Israel PMs unite to challenge Netanyahu in elections
-
Trump says shooting proves need for his White House ballroom
-
Pogacar cracks teen Seixas to win 4th Liege-Bastogne-Liege
-
Iran minister returns to Pakistan despite US talks cancellation
-
Rabada's 3-25 helps Gujarat thrash Chennai in IPL
-
Pogacar beats teen Seixas to win 4th Liege-Bastogne-Liege
-
Gunman planned to target top Trump officials: attorney general
-
Alex Marquez wins Spanish MotoGP to end Bezzecchi streak
-
History-maker Sawe shatters marathon glass ceiling
-
Gauff overcomes stomach bug to beat Cirstea in Madrid
-
Mali defence minister killed, fresh fighting between army and rebels
-
Sawe makes history with first sub-two-hour marathon in London
-
Assefa wins London Marathon in women's-only world record time
-
Superstar galloper Ka Ying Rising storms to 20th straight win
-
Austria's Wiesberger wins first DP World Tour title in 1,792 days
-
Cummins hails teen wonder Sooryavanshi as 'my new favourite player'
-
New fighting in Mali's Kidal between army and rebels
-
Chernobyl refugee town welcomes Ukraine's conflict displaced
-
World leaders react to Washington gala shooting
-
Zelensky accuses Russia of 'nuclear terrorism' on Chernobyl anniversary
-
Coach says 'glimmer of hope' for imperilled Moana Pasifika
AI offers hope for young filmmakers dreaming of an Oscar
Studying at the film school where Oscar-nominated "Sinners" director Ryan Coogler honed his craft, SiJia Zheng dreams of winning an Academy Award.
Now with the recent developments in artificial intelligence, he can see a shortcut to achieving his ambition.
"That's a chance for beginners like me who can use AI to just make a film and to announce to the world that I have the ability to be a director," he told AFP.
Zheng, 29, who hails from China, is one of a burgeoning class of students at USC's School of Cinematic Arts, studying animation in a place that has long been a training ground for future Pixar and DreamWorks talent.
He has used his time at the Los Angeles university to learn about the emerging field of AI animation.
That has included producing his seven-minute short film "Torment" about a masked killer terrorizing a high school.
The film, which was recognized at the LA Shorts festival, was generated entirely by AI -- in just one week.
Zheng recorded himself in front of a green screen and then asked the software to modify his face to make him into all the different characters in the movie.
The technology also allowed him to set his story in an Asian school and have scenes in a swimming pool -- two things that would have cost a fortune if he had filmed them traditionally.
"As a student, it's impossible to have that much money" to produce a film, he said.
- 'Tool' -
Not everyone in Hollywood feels so positively about AI.
The technology was one of the key sticking points in the writers' and actors' strikes that paralyzed Hollywood in 2023.
Guillermo del Toro, the director of "Frankenstein," which will compete for the best picture Oscar on Sunday, is notoriously anti-AI, insisting he would "rather die" than use it.
Zheng said he had been impressed by the Mexican director's "amazing" film, particularly the opening scene where the monster attacks a 19th-century three-masted ship, which del Toro's prop department constructed specially for the movie.
But "when I watched the film...I was just thinking: 'Oh, using AI to do that would be much cheaper and...make something pretty similar.'"
He insists, however, that it doesn't replace the filmmaking spark.
"AI is just a tool, and people can use it to become even better."
The Academy of Motion Picture Arts and Sciences, the body that will hand out the Oscars in Hollywood on March 15, seems to agree -- last year the body updated its rules to say it was neutral on the technology.
"Generative Artificial Intelligence and other digital tools...neither help nor harm the chances of achieving a nomination," it said last April.
- 'Ethical' use -
At the University of Southern California (USC), teachers like Debra Isaac are trying to navigate the ethics around the emerging technology of AI.
The animation professor said she was shocked by an AI video that rocketed around the internet in recent weeks.
The short sequence, created by Seedance -- the AI generation model developed by TikTok's parent company, Bytedance -- shows an ersatz fight between Brad Pitt and Tom Cruise. Neither star was compensated.
But, used properly, AI does not need to be exploitative, and is not a lazy way to make films, Isaac said.
"It's not just about, 'Hey, I have a prompt, and I'm just gonna type a few words and I'll get my image, and I'll get my animation, and I'm done,'" she said.
"Some of these tools are not ethically dubious at all. They're trained by people that are using their own work," she added.
That's precisely what Xindi Zhang, a recent graduate of the program and winner of a Student Academy Award for her short film "The Song of Drifters," did.
For the mini-documentary about the difficulty of feeling at home anywhere, the 29-year-old artist fed the AI dozens of her drawings.
The database then served as graphic inspiration, allowing the computer to stylize the shots of the cities where the film takes place, accelerating production that would otherwise have taken years.
Even with the help of AI, she spent nearly a month perfecting certain shots.
It's "a craft that nobody really appreciates right now," she says.
But anyone who looks at the use of AI will soon find it's not a compromise-free shortcut to perfection.
"Good, cheap and fast will never happen, no matter what tool you use," Zhang said.
T.Khatib--SF-PST