-
Pegula dethrones Swiatek to reach Cincinnati final
-
World No. 3 Pegula beats defending champ Swiatek to reach Cincy final
-
IndyCars zip among iconic Washington landmarks ahead of Freedom 250
-
Wyndham Clark surges clear at BMW Championship
-
Real Madrid snatch late win at Espanyol on Mourinho's return
-
Maresca says Man City must fill Rodri void after Barca switch
-
Real Madrid beat Espanyol in Mourinho's first game on return
-
Canada retaliates as trade war with US escalates
-
Olise helps Bayern past Dortmund in German Supercup
-
Fils dominates Cobolli to book Cincinnati final
-
Coach Rennie hails clinical All Blacks after Springboks Test win
-
Spurs lacked fight in dismal defeat at Brentford says De Zerbi
-
Charlton deliver blow to 'under pressure' Hammers boss Nuno
-
Inter thrash Monza to launch Serie A title defence
-
Carrick keeps calm despite Man Utd misery, big-spending Spurs crushed
-
Shambolic Spurs battered by Brentford
-
Canada's Carney stands up to Trump, despite risks
-
Pogacar wins Vuelta a Espana opening stage
-
Lens hammer Auxerre thanks to Thauvin penalty double
-
Clinical New Zealand shock wasteful South Africa in first Test
-
No singles for Serena, but she joins Alcaraz for US Open
-
Canada hits back with new tariffs after trade talks with US fail
-
Joao Pedro extends Chelsea stay with new long-term deal
-
Swedish police identify 17-year-old girl as victim in school sword attack
-
Yamaguchi to face An in hunt for fourth badminton world crown
-
Carrick keeps calm despite Man Utd misery, Sage beaten in first game as Palace boss
-
Norris clinches pole for Dutch GP
-
France to deliver interceptor missiles to Ukraine after new Russian strikes
-
Norris clinches pole for Dutch Grand Prix
-
Serena Williams and Alcaraz unite in US Open mixed doubles
-
Pope Leo calls for courage in Rimini visit after stop in tiny San Marino
-
Macron pledges air defence as 13 killed in Russia, Ukraine strikes
-
Man Utd must learn from 'frustrating' defeat at Hull: Carrick
-
DR Congo capital wary of Ebola nightmare
-
Yamaguchi on course for fourth badminton world crown
-
Swedish police name 17-year-old girl as victim in school sword attack
-
Man Utd humiliated by Hull in dismal start to Premier League season
-
South Korea sends first container ship through Arctic route
-
Anthropic market debut could break SpaceX IPO record: media
-
Trescothick eager to keep England job despite Hussey approach
-
Pope's 'couturier of the sacred' fueled by faith
-
Indonesia deploys hundreds of soldiers to tackle Borneo fires
-
Duplantis locked in on 'grinding' for big bars
-
The last lap: Fans, drivers bid fond farewell to Dutch GP
-
Stokes says decision to leave Headingley off Ashes roster 'shambolic'
-
Silesia Diamond League: four events to watch
-
New arrival Rodri to miss Elche opener: Barca's Flick
-
Russell wins Dutch GP sprint race, Antonelli fourth
-
Atletico's Alvarez to return against Villarreal: Simeone
-
Mercedes driver George Russell wins Dutch GP sprint race
'A tragic hero': Malcolm X opera comes to New York's Met
A mesmerizing musical biography of civil rights leader Malcolm X that infuses history with Afrofuturism will open at New York's Metropolitan Opera on Friday.
It's a long time coming: "X: The Life and Times of Malcolm X" first premiered in the mid-1980s to favorable reviews, but went unrevived for decades, with just a few stagings over nearly 40 years.
Its Met debut features a revised, jazz-infused score from composer Anthony Davis, Thulani Davis's libretto and direction from the Tony-nominated director Robert O'Hara, who worked on the acclaimed "Slave Play."
The opera traces the life of one of the 20th century's most influential civil rights orators, including his childhood -- he was born Malcolm Little in 1925 -- and the death of his father, his joining of the Black nationalist group Nation of Islam and adoption of the name Malcolm X, and his assassination in 1965.
This revival, which first ran in Detroit in 2021, sees O'Hara put on an Afrofuturist legend of sorts, with an enormous spaceship swirling above the prestigious Met Opera stage, and a choir whose aesthetic marries pre-colonial traditions with high-fashion sci-fi.
The show's title character is portrayed throughout his life but cuts across time and space, accompanied by a troupe of dancers whose bodies give shape to the score.
Composer Davis told AFP the operatic rendition is an effort to see the leader's ideas "elevated into song."
"Not to try to do a realistic portrayal of Malcolm, but to try in a way to bring in all the ideas and concepts that he was so committed to," he said.
"Malcolm is a tragic hero."
- 'Challenge people' -
The production stars baritone Will Liverman, who opened the Met's 2021-22 season in "Fire Shut Up in My Bones" -- the house's first presentation of a work by a Black composer in its lengthy history.
For Davis, "the reawakening that happened after George Floyd" -- the Black man whose 2020 murder by police sparked a popular uprising across the United States over racism and state violence -- lent urgency in the classical music world to improve diversity and inclusion.
"There's so many people and ideas and aesthetics that were excluded," Davis said. "I think there's more openness now... and reaching out to find these pieces like mine that really speak to the community."
For Leah Hawkins -- the soprano who stars as both Malcolm X's mother, Louise Little, and his wife, Betty Shabazz -- bringing the Black experience to the stage "is something that I want to be normal... I don't want it to be a special event."
"I want it to be something that people are used to seeing."
She said that's slowly happening in the classical world, including at the Met: the house has made a point of staging more contemporary and diverse productions in recent years, including 2021's "Fire" and last year's "Champion," both composed by jazz artist Terence Blanchard.
Hawkins says progress can be slow because "people don't like to be made uncomfortable."
"They want art to just make them feel at ease and at peace, and that is the goal much of the time, but also we need to be speaking to people on a very real level," the artist told AFP. "It sometimes needs to be thought-provoking, and it needs to challenge people."
Opera, she said, "needs to do this."
Part of staging "X," both Davis and Hawkins said, is to teach.
"I know plenty of people who've never read 'The Autobiography of Malcolm X,' who don't know his story," said Hawkins. "So I think it's important to bring a figure like this to the stage -- to educate people, if nothing else."
For Davis, that mission is particularly imperative in a country that's seen an uptick in misinformation, book bannings and restrictive school curricula.
The story of Malcolm X, he said, is "a slice of American history that's not told all the time."
And these days "you have politicians who want to suppress history and silence history," Davis continued.
"I think it's important that people see that, and understand those stories... and also wrestle with America, and racism in America, and politics, and the importance of Malcolm X in challenging some of the basic ideas that are fundamental to white supremacy."
D.AbuRida--SF-PST